{"id":1620,"date":"2021-06-01T09:41:53","date_gmt":"2021-06-01T13:41:53","guid":{"rendered":"https:\/\/moeb.ca\/hesm\/jean-marc-audet-1915-2003-studio-marko\/"},"modified":"2026-02-25T15:55:16","modified_gmt":"2026-02-25T20:55:16","slug":"jean-marc-audet-1915-2003-studio-marko","status":"publish","type":"hesm","link":"https:\/\/moeb.ca\/en\/hsrm\/jean-marc-audet-1915-2003-studio-marko\/","title":{"rendered":"Jean-Marc Audet (1915-2003) &#8211; Studio Marko"},"content":{"rendered":"<p>In 1937, <strong>Jean-Marc Audet<\/strong>, also known as &#8220;Marko&#8221;, began his career in the recording industry at radio station CKAC, recording programs off the wire to disk.&nbsp; He cut 16\u201d master discs off-air which were then sent to <em>Compo<\/em> to be copied and sent to 75 stations across Canada.&nbsp; Live shows were recorded with 2 records lathes at a time.&nbsp; Commercials were recorded, 10 spots at a time to 16\u201d disks.&nbsp; In 1948, <strong>Jean-Marc Audet<\/strong> opened his first studio at 1477 Mountain Street, Montreal. <strong>Studio Marko<\/strong> cultivated the advertising business, recording commercials for radio, sound for TV spots and dubbing films.&nbsp; After an illness in 1974, Jean-Marc sold his business to <em>National Cablevision<\/em> \u2013 a move he later regretted.&nbsp; Still, he agreed to stay with the company until his retirement in the early 1980s.<\/p>\n<h2>Les Studios Marko (1948- &nbsp;&nbsp;&nbsp;&nbsp;)<\/h2>\n<p><img decoding=\"async\" class=\"size-full wp-image-3839 alignright\" src=\"https:\/\/moeb.ca\/wp-content\/uploads\/2021\/06\/studio-marko-logo.jpg\" alt=\"Studio Marko logo\" width=\"253\" height=\"247\"><br \/>\nMarko\u2019s first non-disk recorder was a <em>Maurer<\/em> 16mm optical film sound recorder that he purchased in New York for $6,000.&nbsp; Before audiotape came along, he had also experimented with wire recorders, but found them less than satisfactory.&nbsp; In 1953, <em>Studio Marko<\/em> moved to Ste-Catherine Street in a 3<sup>rd<\/sup> floor space which proved to be too difficult to access.&nbsp; &nbsp;So, after 5 years, the studio moved to a new location on St. Catherine Street behind the <em>Seville<\/em> theatre.&nbsp; It would eventually boast 3&nbsp;studios, one large room for music recording and 2 smaller studios for radio and TV commercials.<\/p>\n<p>The studio was equipped with consoles built by <em>J-Mar Electronics <\/em>of Toronto.&nbsp; Around 1964, the main studio was equipped for 4-track audio.&nbsp; In 1970, an 8-track recorder was added and, in 1974, Montreal\u2019s first 16-track <em>Studer <\/em>recorder.&nbsp; The new owners moved the studio to 910 de la Gaucheti\u00e8re in 1978<em>. &nbsp;Studios Marko<\/em> still remains in operation.<\/p>\n<h3><a href=\"https:\/\/moeb.ca\/wp-content\/uploads\/2021\/08\/Michel-Fontaine-1933-1987-222x300.jpg\"><img decoding=\"async\" class=\"alignright size-medium wp-image-2388\" src=\"https:\/\/moeb.ca\/wp-content\/uploads\/2021\/08\/Michel-Fontaine-1933-1987-222x300.jpg\" alt=\"Michel Fontaine\" width=\"222\" height=\"300\"><\/a>Michel Fontaine (1933 \u2013 1987)<\/h3>\n<p>In the early years of \u201cStudio Marko\u201d, at that time a neighbor of the old Forum on Atwater Street, <strong>Michel Fontaine<\/strong> was <strong>Jean-Marc Audet&#8217;s<\/strong> prot\u00e9g\u00e9 and quickly became his right-hand man. They were first friends as a mentor and student and often socialized together. They were spending the New Year&#8217;s Eve with their wives and other industry friends. <a href=\"https:\/\/moeb.ca\/en\/hsrm\/sound-engineer\/#sonoman-11\">More info here<\/a>.<\/p>\n<p>Other sound engineers who have worked at <strong>Studio Marko<\/strong> include Dominique Earhardt, Barry Lucking, Tim Hewlings, Serge Lacroix, R\u00e9al Leblanc, Andr\u00e9 Perrault, Sylvain Jacob and Luc Th\u00e9riault.<\/p>\n<h3>Photo Albums<\/h3>\n<div style=\"clear: both;\">ngg_shortcode_0_placeholder<\/div>\n","protected":false},"excerpt":{"rendered":"<p>In 1937, Jean-Marc Audet, also known as &#8220;Marko&#8221;, began his career in the recording industry at radio station CKAC, recording programs off the wire to disk.&nbsp; He cut 16\u201d master discs off-air which were then sent to Compo to be copied and sent to 75 stations across Canada.&nbsp; Live shows were recorded with 2 records [&hellip;]<\/p>\n","protected":false},"featured_media":1551,"template":"","meta":{"_acf_changed":false,"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","ngg_post_thumbnail":0},"categories":[],"class_list":{"0":"post-1620","1":"hesm","2":"type-hesm","3":"status-publish","4":"has-post-thumbnail","6":"entry"},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Histoire de l\u2019Enregistrement Sonore \u00e0 Montr\u00e9al \u2013 Technologie, Studios et Pionniers | MOEB<\/title>\n<meta name=\"description\" content=\"Exposition d\u00e9taill\u00e9e sur l\u2019histoire de l\u2019enregistrement sonore \u00e0 Montr\u00e9al : inventions d\u2019Emile et Herbert Berliner, premiers studios canadiens, techniques d\u2019enregistrement, avanc\u00e9es \u00e9lectriques et magn\u00e9tiques. 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